Sunday, March 04, 2007

The Psychadelic Stooges


I been on a bit of a Stooges binge lately. It's funny you know, coz I picked up the first album and FUNHOUSE 2-disc re-issues new in the bargain bin at the JB HiFi chain stores here in Melbourne. In some weird cosmic-rock synchronicity I picked up the first album on vinyl for 10-bucks in a bargain bin at a suburban import-shop some 18 years earlier! Anyway, I'm one of the 100 or so fucken sad-freaks that has 'adopted' that failed sonic technology called DVD-audio. The 00s version of Quadraphonic-4, DVD-audio basically pipes your musique into a 5.1 speaker layout. Technically, or in terms of soundspace that means you have the vocals in the centre, gtrs/keys/bass in left and right, and drums in the surrounds, or the band in the front three and FX or crowd or farting noises in the surrounds. Either way, a good mix can emulates that 3D-psychedelic sound you get when you take hallucinogenic substances (which i don't do anymore)...SO think of my surprise when I found out that THE STOOGES have a DVD-audio 5.1 mix! I thought, shit, I'm having a drug relapse or something. But I didn't expect much, because really these 5.1 'remixes' can only be done with good source material, and considering most of the STOOGES source material was fished out of rubbish bins, well, what can you expect...This recent 'Extended Play' is basically 5 tracks done in DVD-audio 5.1 Hi-Definition and 3 on normal CD..Apparantly these recordings in their current state or whatever have never been released before, and there might be some STOOGES archivists out there that can prove this. They seem to be either RAW POWER out-takes or demos done around the time the band were based in London. Regardless, the recordings still prove out-right that the Stooges were the greatest modern-rock-n-roll band. THE band that invented 'heavy metal' as we know it, laid down the template for grunge, and punk and any other minimalist/maximalist mega-heavy rock as well know it. The bands that re-arranged the 'chugga-chugga' and 'boogie-woogie' or the old rock n' roll and turned it inside out into this new, technologically refined greyhound of sonic crunch n thump n grind. The 5.1 surround opener 'I got a right #1' sounds fucking GLORIOUS. Williamson has this pure crunch guitar, the song speeds along laying the raunch template for Poms like Motorhead and Williamson spazzs out well before Greg Ginn. The surround mix is slight and a bit gimmicky, but the sound quality reproduction here in terrific for a demo. The 'Louie Louie' cover is pretty crappy, and 'Gimme some skin' and 'I got a right #2' have pretty nice mixes and pack into more chorderama which of course would be mimicked by Radio Birdman. You can here it all in pure and simple detail on this DVD-audio, which will make your ears cry.
The CD sticks to the typical bootleg fidelity we're all used to for rare Stooges recordings. Though this one is really good, they've used some sort of technology to get rid of the
waffly sound caused by shitty tapes, and the rock action is all smoking.'Hard to beat' is basically another version or 'Raw Power' with some burning soloing, 'Head On' well we all know that's the great unrecorded Stooges classic, though this version doesn't sound as spiteful as the one on the Whisky Au-Gog-Go bootleg, but still sounds like a meaner version of the Exile Period Stones via the Doors. CD closes out with an VERY psychedelic version of 'I got a right' that features Iggy's vocal acid-echoed to the max. It will blow your fuck from your bonged-out loungeroom to Uranus or somewhere.

1 comment:

bruno-sugai said...

don't know how else to say this... but i've been listening to can since 14 (24 now) and i finally made something i think is good enough. and i figured you might dig it.

it's here:

remixes of the streets, marvin gaye, mos def, b-52's, cocteau twins, more

hope you like it


The "Eardrums shall fail" blog said:

"Remixing is raised to art status when you give new life to music, any type of music. To see potential in a boring cut, to push the envelope all the way to different galaxies, to let your mind wander where the original intention left off - all this presumes passion and marquees lighting up over your head as opposed to a mere lightbulb. A writer, most of the time, is a passionate reader first and a remixer of words second. Tago-Mago does that with music. I may not like each and every track but that would be a strange and new feeling anyway. Rarely have I heard a reinvention of music I was, or thought I was, familiar with, in such unexpected ways. His major influence is Can, and the mixes are inspired by a variety of hip hop and electronica artists."